The Fruits of Dystopia (SHORT FILM)
The present cultural prominence and popularity of dystopian fiction and film, including the newly minted subgenre of young adult dystopian novels (c.f. The Hunger Games), underscores the fact that we’re living in what can reasonably be characterized as dystopian times. Or perhaps, to be more accurate, we’re living in a real-world manifestation of an anti-utopia, a situation in which a society deems itself a utopia when in fact it’s a nightmare. Fahrenheit 451 and Brave New World are only two of the most familiar examples of this theme in English-language literature.
They’re also two of the works quoted in “The Fruits of Dystopia,” a short film by Cyrus Sutton, Creative Director at California-based Korduroy.TV,”a website spreading digital Aloha. Through video how-to’s, short films, rants and interviews we are creating a new platform for independent surf culture — a place where ideas can be shared that respect self-sufficiency, craftsmanship, and a surfing experience of our own design.”
So what, you ask, is the link between this expressed aim and the theme of dystopia? The film’s short description draws the connection in pithy fashion:
“The Fruits of Dystopia” is a short film about having fun in a less than perfect world. Cyrus Sutton explores an escape from modern trappings through excerpts from classic dystopian novels “1984,” “A Brave New World” [sic] and “Fahrenheit 451.”
In other words, the point — apparently — is to share several darkly dystopian takes on the state of human life and society, and, while basically agreeing with them, to show where and how pleasure and joy can still be found in the midst of such a situation. What’s even more interesting than this inherently interesting premise is that in Sutton’s hands it actually works. The film is rather hypnotic. Watch it and see for yourself.
Also be advised that in addition to Orwell, Huxley, and Bradbury, there’s another writer whose words show up: Alan Watts. “The Fruits of Dystopia” contains abridged portions of an early 1970s radio talk by Watts in which he acknowledged and explored his very deep debt to Jung. Here’s a passage from the talk’s complete transcript, encompassing some of what you’ll hear in the film. It makes for a fine epigraph:
[Jung was] trying to heal this insanity from which our culture in particular has suffered, of thinking that a human being becomes hale, healthy, and holy by being divided against himself in inner conflict, paralleling the conception of a cosmic conflict between an absolute good and an absolute evil which cannot be reduced to any prior and underlying unity. In other words, our rage, and our very proper rage, against evil things which occur in this world must not overstep itself, for if we require as a justification for our rage a fundamental and metaphysical division between good and evil, we have an insane and, in a certain sense, schizophrenic universe, of which no sense whatsoever can be made.