What is real, anyhow? Erik Davis on visionary experiences and the high weirdness of the seventies counterculture
Last night I digitally stumbled across this:
It’s Erik Davis’s senior thesis, written as he was pursuing his Ph.D. in religious studies at Rice University, and submitted just last fall. You’ll recall that I mentioned Erik’s study of this same high weirdness last year (and that he and I, and also Maja D’Aoust, had a good conversation about daemonic creativity and related matters a few years ago). Now here’s this, the scholarly fruit of his several years of research and writing, and it promises to be a fantastic — in several senses — read.
For me, at least, it’s also laden with mild synchronistic significance. I’m presently teaching an introduction to world religions course using Comparing Religions by Jeffrey J. Kripal as the main textbook, so I’m spending a lot of time immersed in Jeff’s thoughtworld, and also helping undergraduate college students to understand it. In the past two weeks I have had a couple of email communications with Jeff in connection with the crucial networking assistance that he provided in the early stages of Ghosts, Spirits, and Psychics as I was attempting to locate suitable contributors for the book. And then just last night as I was staring at my laptop screen and realizing with pleasure that I had accidentally found Erik’s thesis on the UFOs, synchronicities, psychedelic visions, alien voices, and other crazy anomalistic weirdnesses that characterized the seventies counterculture, I scanned down the cover page and had another surprise when I saw Jeffrey J. Kripal listed as a member of his thesis committee. It’s not a synchronicity in the same league as, say, Jung’s seminal encounter with the scarabaeid beetle, but it was enough to give me a start and a chuckle.
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