This post is in response to a query somebody made at the Shocklines forum. In various conversations at that board, people have recently been mentioning a supposed surge of anti-intellectualism in America today. One person responded with the following:
I’ve been hearing a lot about this ‘wave of anti-intellectualism’. I’m curious about it.
All artistic ventures aren’t immediately dismissed by the general public. Memento springs to mind; it was certainly a different sort of film, but it also had reasonable legs as a movie which didn’t even break 600 screens, and its DVD sales seemed pretty strong. While it’s undeniably true that the most innovative movies do not have corresponding box office receipts (hey, Shallow Hal beat out Memento by a long shot) it’s also true that this is not a new thing. I don’t recall a time when the most innovative films racked up the best box office.
What is the root of the anti-intellectualism argument?
I could go on and on about this topic all day, and would end up thanking you for the provocation to vent. But I’ll restrain myself, relatively speaking. Apologies in advance if I sound smotheringly didactic at points. I’ve recognized that fact about my writing for years but have thus far been unable to overcome it.
I think the basic idea behind the anti-intellectualist argument presents at least two aspects. One of these is the simple recognition that “dumb is in.” I remember seeing Saturday Night Live’s Tina Fey mention this in an interview a couple of years ago. When the interviewer brought up the subject of Ms. Fey’s reputation for intelligence and wit, she jumped on the opportunity to express serious concerns about the fact that in American pop culture, which for several decades has been synonymous with (prepackaged) youth culture, it’s become hip to be stupid. She talked about kids, and especially girls, feeling pressured to suppress their intelligence and appear stupid and vapid in order to fit in. And she contrasted this with her parents’ generation, when the counterculture was in full swing and it was hip to be über-intelligent and well-read so that you could effectively criticize the American government or the radical commie sympathizers or whomever, depending on your stance.
So this is the first and easiest-to-get-at arm of the argument, this pointing-out of what might be called the Bill & Ted syndrome, or the Harry & Lloyd syndrome, or the Jesse & Chester syndrome. Especially among the under-thirty crowd, there’s a cultural pressure to act stupid even if you’re not, and this is hostile to intelligence.
The deeper and more extended aspect of the argument represents a kind of medical diagnosis of a peculiarly American pathology that has now infected the rest of the world by means of cultural imperialism — that is, via the aggressive exporting of a lifestyle centered around consumerism and mass media entertainment. The idea is that America is in the throes of a systemic crisis that is largely economic in nature, the effects and implications of which have inevitably spun off into a detrimental effect on the American intellectual character. Then there’s also the related recognition of America’s longstanding bias in favor of what might be called “down home-ism” and against anything perceived as highfalutin, a tendency that has been alternately muted and dominant at various periods in the nation’s history. People who point to current anti-intellectual trends like to say the tendency has now moved dramatically and perhaps definitively to the fore, with youth culture’s “dumb is in” phenomenon representing just the tip of the iceberg.
Please pardon me while I let other people do much of my thinking and speaking. When I first started writing this reply to your query, I was just out of bed and my brain was quite foggy. (I’ve never been able to fathom how or why so many writers find this time of day to be the best for doing their work, since I myself can barely put two words together until mid-morning.) So I’m just going to offer some quotations from, summaries of, and links to a number of books and articles whose ideas have amplified, shaped, and/or coincided with my own. Read the rest of this entry