In this just-published episode of the This Is Horror Podcast, Jon Padgett and I talk with hosts Michael David Wilson and Bob Pastorella about our new project Vastarien: A Literary Journal, along with other matters of interest. Click to listen or download.
Note that at the time of this writing, our Vastarien Kickstarter campaign, to fund the first year (three issues) of the journal, still has seven days left!
Here are some show notes:
Vastarien is a source of critical study and creative response to the corpus of Thomas Ligotti as well as associated authors and ideas.
Support Vastarien on Kickstarter
[03:30] Vastarien origin story
[08:40] Why Vastarien title
[20:20] Penguin edition Conspiracy Against The Human Race/Cadabra Records Ligotti’s The Bungalow House
[28:10] Jon Padgett’s final message (in this podcast not in life)
[31:10] What is the worst thing that has happened to you as a result of your own mind or imagination
[34:20] Physical and mental and other sensations during sleep paralysis
[45:45] The creative self and self
[51:40] Andrew M. Reichart, via Patreon,
[54:40] Scott Kemper, via Patreon, wants to know about other Ligotti-esque authors to become acquainted with
[57:40] Films and TV shows that may appeal to Ligotti fans
[01:10:00] Kendra Temples, via Patreon, asks anti-natalism and philosophical pessimism and impact
[01:18:00] How Gnosticism fits into the vision of Vastarien
[01:22:25] What should and shouldn’t people submit to Vastarien
[01:26:35] Final question to ponder
Some time ago here at The Teeming Brain, I announced the birth of a new literary journal titled Vastarien, to be edited by Jon Padgett and me, and to be framed as “a source of critical study and creative response to the corpus of Thomas Ligotti as well as associated authors and ideas.” We launched a website, www.vastarien-journal.com, where we published submission guidelines and started receiving stories, poems, articles, essays, and artwork. Jon and I then spent many months and countless hours responding to these submissions and crafting the first issue. Jon also retained the services of artist Dave Felton and designer Anna Trueman to create a stunning cover.
Yesterday we launched a Kickstarter campaign to cover the costs of the first three issues. It reached its funding goal today, in a total of 27 hours. In fact, we have now surpassed that funding goal, and we will soon be announcing some stretch goals. This is a wonderfully affirming response that shows what a high level of interest and excitement there really is for such a publication.
The Kickstarter campaign has nearly a month left. This means you can still become one of our backers. We have created an attractive set of rewards for different pledge levels. At the campaign page you can also read the full table of contents for Volume 1, Issue 1. Consider yourself invited:
(BONUS NOTE: We’re also now accepting submissions for issues 2 and 3. The submission period will close on March 1.)
Dejan Ognjanovic, who runs the prominent Serbian horror blog The Cult of Ghoul, has given Horror Literature through History a 2018 Golden Ghoul Award for best non-fiction horror book of 2017. You can read the complete awards list (in Serbian) at the blog.
Booklist has weighed in with a starred review of my Horror Literature through History:
The fan and the scholar alike will find much of use in this fun, well-organized two-volume reference set. Cardin (Mummies around the World, 2014) looks at horror literature with the broadest lens possible, considering not just its history but also its influence on new media, other genres, and more, organizing it all into three distinct and meticulously researched sections. . . . Extremely informative in its content, easy to use, engaging in its writing style, Cardin’s comprehensive and inclusive reference work not only solidly makes the case for horror’s enduring importance in our lives, as humans, throughout history but also presents it in a package that is a pleasure to read.
Here’s the second and final part of my recent interview for the This Is Horror podcast. Co-hosts Michael David Wilson and Bob Pastorella conducted the whole thing skillfully, so hats off to them.
Readers who have followed the saga of the birth of Horror Literature through History may be especially interested to hear that I spent a few minutes in this interview talking about entries that did not get included in the encyclopedia, and about my regrets over this. Other topics are noted on the graphic above (but they’re not the only ones broached).
“Matt Cardin on Horror and Spirituality, Thomas Ligotti, and Alan Watts” – An interview for the This Is Horror podcast
I was recently interviewed by the good folks at This Is Horror for their popular podcast. Here’s the result, published today as the first of two parts.
The conversation with TIH mastermind Michael David Wilson and co-host Bob Pastorella turned out to be extremely wide-ranging. We talked about my Horror Literature through History encyclopedia plus many more things, including my childhood preoccupation with fantasy and science fiction that eventually shaded over into horror; my own horror fiction; the reality or unreality of God, the supernatural, and the paranormal; the work and philosophy of Robert Anton Wilson; my self-identification as a Zen Christian; the transformation of the world into a digital dystopia; the works of Thomas Ligotti and Jon Padgett; the books and spiritual philosophy of Alan Watts; my creativity ebook A Course in Demonic Creativity; and Patrick Harpur’s Daimonic Reality: A Field Guide to the Otherworld. Michael describes it this way: “It’s the first of our two-part conversation with Matt Cardin on the This Is Horror Podcast. We chat about philosophy, existentialism, spirituality, our perception of reality … we even talk a little bit about horror fiction.” Click the image to visit the site and access the podcast.
Today Rue Morgue magazine published an interview with me at their website. It basically serves as an online supplement to their recent feature story about Horror Literature through History in the print magazine. Here’s a taste:
What is the primary aim and purpose of this book?
To quote from the publisher’s description, which is of course based largely on text from the book proposal that I submitted to them over two and a half years ago, Horror Literature through History “shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right.” In other words, it’s meant to serve as both a general reference work about the history of horror literature and a book that can educate people about the literary backgrounds of what might be called “screen horror”: horror movies, horror television, horror video games. Horror’s popularity right now is just off the charts. This seems likely to continue for a long time. And with the bulk of that popularity falling in the realm of screen horror, there’s something fundamental, something crucial, in the fact that there’s a literary background or precedent or forebear to virtually every monster, plot, theme, and idea that’s in play right now on screens everywhere, large and small. Plus, the literary side of horror itself is presently undergoing a kind of revolution. Weird fiction, for instance, has begun to evolve in striking new directions. The Internet has given rise to things like creepypastas. So the book is aimed at all of that. It aims to parse the state of horror right now by delving deeply into its literary history and tracing its evolutionary arc.
Full Interview: “Just Published: ‘Horror Literature through History'”
In related new, Kirkus Reviews has weighed in with an enthusiastically positive review of the encyclopedia. Here are selected highlights:
Matt Cardin’s new, fascinating two-volume reference [is] Horror Literature Through History. As someone wanting to learn more about the horror genre, this essential and comprehensive encyclopedia is a godsend. . . . These essays are interesting in their subject matter and pleasantly informative. The book’s contributors include seventy scholars and authors from around the world, giving the reader of Horror Literature Through History a new perspective on different aspects of horror that are as diverse as they are topical. Any reader would be hard-pressed not to add titles to their list of books they want to read. . . . Horror Literature Through History is an essential reference for horror fans that’s both entertaining and educational.
Full Review: “Everything You Always Wanted to Know about Horror Fiction“
By way of reminder, the book is available from Amazon (which now has it back in stock after selling out), Barnes & Noble (which also sold out but now has more copies), and the publisher. It’s also available at libraries everywhere.
Much to my surprise, a two-volume encyclopedia priced for institutional purchase by academic and public libraries has become a bestseller at Amazon. I don’t know the actual sales figures, and I’m sure they’re pretty small in terms of absolute numbers, since the book’s category (the history and criticism of horror and supernatural literature) is a rather narrow one. In other words, a book of this type probably doesn’t have to move many units in order to qualify as a bestseller. But for what it’s worth, for much of the past two weeks Horror Literature through History has hovered in the top ten books in that category, peaking at number six and then dropping much lower, but then spiking up again a few times. Amazon sold out of its original stock of the title and had to order more. A couple of days ago I saw that it was briefly flagged as the bestselling new encyclopedia of any kind. Currently those numbers have trailed off again.
In any event, I hadn’t expected so much interest from individual readers, given the book’s steep pricing. I’ve seen a couple of early readers among that crowd speaking glowingly of it in an online forum that I frequent, so that felt good. There’s a forthcoming interview with me about the project at a major horror website. I’m also slated to be interviewed on a major horror podcast a few days from now. I’ll post the links when they become available. In the meantime, if any of my Teeming Brain readers are among those who have purchased the encyclopedia, please know that I sincerely appreciate your interest and support, and I hope the book rewards your investment of time and money.
Update, October 17: The encyclopedia has also sold out at the website for Barnes & Noble.
Here’s the ending to my interview with Thomas Ligotti in Horror Literature through History (which, as I just learned, was published a few days ago, slightly ahead of the advertised schedule). I think these lines represent my favorite thing Tom has ever said in an interview. (And as you know, his interviews are plentiful.)
MATT CARDIN: What is the point, purpose, or value of horror literature?
THOMAS LIGOTTI: To entertain and disillusion at the same time.
MC: What do readers of horror literature need to know?
TL: If you read a lot of horror literature because you like to be scared, then you’re probably a normal, healthy person. If you read horror literature to fulfill some deeply personal predisposition, be assured there is probably something odd and unwholesome about you. Don’t ever let anyone tell you it’s not all right to be that way.