A Search for the Heroic in Lovecraftian Fiction, Part Two
NOTE: This article is the second in a series. It follows directly on from Part One, which sets the stage.
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Having established that Lovecraft’s stories can be at least vaguely cheerful and optimistic, and that they can also feature feats of heroism — not always at the same time, mind you — let’s take a look at some other writers who have played by this particular set of Lovecraftian rules. As we do so, please bear in mind that this is by no means an exhaustive study, but is instead just a quick rundown of the stories I’ve read in this area. There’s whole reams of stuff I haven’t got round to looking at yet.
And to repeat my warning from the last installment, you should STOP READING if you spot any titles you’re planning to peruse at some point in the future: here be SPOILERS.
Robert E. Howard
Robert E. Howard is best known for writing heroic fiction. But it is not always of an optimistic nature, and this links up with the fact that some of his stories show a distinct Lovecraftian influence and occasionally even take place within the Cthulhu Mythos.
Take, for example, his short story “The Worms of the Earth,” in which the king of the Picts, Bran Mak Morn, enlists the help of monstrous creatures that have long been banished beneath the earth to aid in his fight against Roman invaders. Bran finds his revenge against the Roman who sparked his vendetta is soured when the man is driven insane by the sight of the creatures, so that when Bran slays him, it’s not an act of vengeance but one of mercy. Bran ends up deciding the creatures are too foul to be used even against his hated enemies. This isn’t exactly heroic fiction at its most cheerful — but it is indeed still heroic fiction. Read the rest of this entry