Invasion of the Body Snatchers is the first film I remember seeing that actually terrified me. I was so young — I saw it when I was still just a highly impressionable child — and the concept driving the film was utterly, perfectly terrifying:
What if your loved ones were replaced by emotionless duplicates? Worse, what if you were replaced by an emotionless duplicate?
Everything the same, everything slightly different. Existential dread in a teatime SF film.
The heroes: Kevin McCarthy’s square-jawed doctor and Dana Wynter’s plucky divorcee look like they can handle themselves. Still, they are strangely vulnerable.
The cure: medicine and psychiatry will save the day. Or could it be that excessive rationality is actually part of the problem?
Minimal special effects: the fanciest come when the pods split open to reveal their duplicates.
Screenplay by Daniel “Out of the Past” Mainwaring. Directed by Don “The Verdict” Siegel. McCarthy’s voiceover is classic noir, as is the framing device where he tells his story to disbelieving authority figures. The only difference is that, instead of the police, he is talking to doctors. And the whole thing plays out in bleak black and white.
And oh God, the ending! It seems tame now, but my innocent young mind couldn’t cope with the stark ambiguity. I was terrified that pod people had actually taken over the earth and that they were such perfect duplicates that nobody had even noticed. My friend tried to ease my paranoia by talking me through it logically: if pod people had taken over the world we would know we were pod people, and as we didn’t, we couldn’t be.
I eyed him suspiciously: “But that’s exactly what you’d say to me if you were a pod person!”
Invasion of the Body Snatchers wasn’t the first film I remember seeing that actually terrified me. I was a little older — I saw it when I was an adult — but even so, the concept driving the film remained utterly, perfectly terrifying:
Everyone you know — all your friends, all your rivals — is replaced by an emotionless duplicate. Would your love survive? Would your hate?
Everything different, everything eerily similar. Existential dread in a late night shocker.
The victims: Donald Sutherland and Brooke Adams appearout of their depth; ordinary people in extraordinary circumstances. Still, they have hidden strengths.
The problem: pop psychology and New Age pseudoscience will condemn the day. Or could it be that credulity is actually part of the solution?
Minimal special effects: the fanciest come when a pod duplication goes horrifyingly wrong.
Screenplay by W.D. “Peeper” Richter. Cameo by Don “Dirty Harry” Siegel. Sutherland’s cynical everyman is classic neo-noir, as is his struggle to unravel the conspiracy theory. The only difference is that, instead of dealing with corrupt police and politicians, he is dealing with alien invaders. And the whole thing plays out in bleached, soulless color.
And oh God, the ending! It was bleak beyond belief, yet my jaded adult mind was able cope with the horror. That inhuman screech, overlapping a terrified scream as the last human emotion echoed around the world. My friend had trouble understanding the ending, so I talked him through it: a pod person pretending to be human was indistinguishable from a human pretending to be a pod person, until that final moment of revelation.
I eyed him suspiciously: “Should I be worried that you’re called Stuart, too?”
If you find yourself in Waco, Texas in October 2013 — specifically, on Friday, October 25 — and you’re in the mood to celebrate the Halloween horror season in style, be sure to come join us for the fourth annual Dark Mirror horror film festival. Four classic horror films. Informative introductory talks by vampire expert and religion scholar Dr. J. Gordon Melton, Baylor University film professor Dr. Jim Kendrick, and yours truly. All the junk food you care to buy (popcorn, candy, chili cheese nachos, hot dogs, soda, water). What’s not to like?