Recently, I was interviewed for the excellent Weird Studies podcast. The episode, titled “On Speculative Fiction, with Matt Cardin,” dropped yesterday. You can listen to it with the player above or by clicking through to the site itself. Here’s the episode description:
Neil Gaiman wrote, If literature is the world, then fantasy and horror are twin cities, divided by a river of black water. Flame Tree Publishing underwrites this claim with their recent publication, The Astounding Illustrated History of Fantasy and Horror. The book is a veritable gazetteer of these two cities in the heartland of the imaginal world. Writer and scholar Matt Cardin, founding editor of the marvellous Teeming Brain, wrote a chapter for the book focusing on the books and films of the Sixties and Seventies. In this episode, he joins JF and Phil to discuss the kinship of horror and fantasy, the modern ghettoization of mythopoeic art, the prophetic reach of speculative fiction, and the cauldron of cultural transformation that was the Sixties and Seventies.
Be advised that Teeming Brain readers will likely find Weird Studies to be an essential addition to their listening schedule. It was launched in 2018 by hosts J. F. Martel and Phil Ford. J. F. is an author, screenwriter, and film & TV director from Ottawa, Canada. In 2015 I interviewed him here in connection with his truly wonderful book, Reclaiming Art in the Age of Artifice. Phil is an associate professor of musicology at the Indiana University Jacobs School of Music whose books include Dig: Sound and Music in Hip Culture and a currently in-development project on music and occult styles of thought. The tagline of Weird Studies is “A filmmaker and a professor talk art and philosophy at the limits of the thinkable.” A browse through past episodes uncovers a rich feast.
Nanette Fabray, the legendary American television actress, singer, comedienne, and advocate for the hearing impaired, has died at the age of 97. Fifty years ago last month, she (and The Carol Burnett Show) provided just over two minutes of the most amazingly quiet and mesmerizing programming in the history of American broadcast television. These two minutes also reinforced what a truly talented singer and performer she was. I’m honestly surprised that CBS allowed this mini-oasis of meditative quietness to briefly inhabit the airwaves during the bombastic TV era of the late 1960s. Notice just how strikingly calm and silent people’s television sets got for 136 seconds as Fabray sang and signed a certain song.