Short Film: ‘The Final Moments of Karl Brant’ – Dystopian SF starring Paul Reubens
In a word: wow. This new short film, released on July 30 and currently receiving enthusiastic praise all over the place, is a beautifully realized piece of short-form dystopian science fiction.
It tells the story of a near future in which, to quote the official press release, “a neurologist and two homicide detectives use experimental brain taping technology to question a murder victim about his final moments.” It stars Paul Reubens (who’s a joy to watch here in a dramatic role) as the neurologist, with the other roles filled by equally impressive actors.
The writer-director, acclaimed graphic novelist M. F. Wilson, invokes the idea of the Singularity, especially in its Kurzweilian iteration, as his main inspiration:
I was influenced by the theories of Ray Kurzweil on the Singularity and digital immortality and curious to see how the law will deal with the situations that arise from it. I’m excited about the idea of copying memories into code. Imagine that after your body dies, you can go on living in a digital state. This technology is in our near future and will challenge the very definition of life and death. It makes a great basis for a high-tech crime story…
Short of the Week offers a nice description of the film’s really impressive style, tone, and production quality:
Visually inspired by Fritz Lang’s Metropolis, one of the directors favourite science-fiction films, the dark, industrial aesthetics of The Final Moments of Karl Brant make the short feel like a cross between Blade Runner and Se7en. With Brett Pawlak’s cinematography, J.R. Hawbaker’s costume design and Level 256′s visual FX all using their extensive industry experience to paint a gritty and uncompromising vision of the future.
Enough with the preamble. Just watch.
Posted on August 10, 2013, in Arts & Entertainment, Psychology & Consciousness, Science & Technology and tagged artificial intelligence, Dystopia, Science Fiction, short films. Bookmark the permalink. 3 Comments.