Fuseli, Sleep Paralysis, and Horror’s Master Image
Just in time for the Halloween holiday, Ryan Hurd has published a horror-fied guest post by me at Dream Studies, his thoroughly excellent Website about dream science, nightmares, and related altered states of consciousness. The article describes my long-in-coming recognition about a very famous painting (you know the one; see above) and the way it has come to serve as a transformative nexus of dark meanings enfolding a vast span of unsettling subjects. Readers of my Liminalities column here at The Teeming Brain will find the article an extension of some of its major themes. Likewise for readers of my horror fiction.
Here’s a taste:
When I first started experiencing sleep paralysis attacks accompanied by visionary assaults from a shadowy demonic presence in the early 1990s, I was already a long-time fan and student of supernatural horror. I had grown up enthralled by horror stories, novels, and movies, as well as by nonfiction explorations of supernaturalism and the paranormal. I was also intrinsically interested in religion and spirituality. So perhaps it was predictable that my sleep paralysis encounters would hit right in the middle of all this and produce some profound emotional and philosophical effects. But what startled me as much as anything was the recognition, which didn’t arise until more than a decade later, that there already existed a kind of master visual image that united this network of concerns and sat at its center, acting as a nexus of nightmares and emitting cultural, psychological, and spiritual waves of dark inspiration.
… [Christopher] Frayling was getting at far more than he even knew or intended when he traced the horror genre’s origins to Fuseli’s painting, Mary Shelley’s waking nightmare, and the growing culture-wide ferment and foment at the turn of the 19th century that involved science, religion, art, literature, ideas about creative inspiration, and the growing recognition that the conscious “daylight” mind is accompanied and influenced — and is also, as shown in both nightmares and horror tales, menaced — by a subconscious or unconscious “nightside” realm of dreadful entity.
— Matt Cardin, “Nexus of Nightmares: Fuseli, Sleep Paralysis, and Horror’s Master Image,” Dream Studies, October 31, 2012
Posted on October 31, 2012, in Psychology & Consciousness, Religion & Philosophy, Writing & Creativity and tagged art, daemonic creativity, henry fuseli, horror, ryan hurd, Sleep Paralysis. Bookmark the permalink. Leave a Comment.